Here to see some of Jillian Audrey's own photography: http://www.jillianaudrey.com/
'Through the Tunnel'
Collection photography analysis
In this photography by Jillian Audrey called 'Through the Tunnel', it describes a scene of rubbish and abandonment where something used to be in the past. Based on the subject of urban decay, it shows a collection of repetitive walls or rooms which make the building more realistic in the subject theme of the photograph. This is Urban Decay Photography (Topic) of an abandoned building with a dark teal creamy beige white décor. It includes abstract geometric and architecture door.
The theme which I am looking at to create my own work influenced by a variety of photographers is collections but Jillian Parker uses collections in her work (Seen below) and demonstrates it as urban decay photography. The light from the outside (sunlight) can be seen as the main light source for this image and this brings out the texture and shape of each part of the empty but rubbish filled building. The texture would be a solid wall but the paint would be peeling so shape or dusty as the audience do not know where this place is or how long it has been left alone without any recognition from the public walking past.
From the work of Jillian Audrey from 'Through the Tunnel' and other works, I can see that she is trying to demonstrate a piece of work that is different it all relates to each other. As the subject matter for myself is collections and Jillian Audrey, Urban Decay, I believe these two link together in a variety of ways which demonstrate a creative image with various meanings. As the image draws in the light and a different meaning to different people, it gives off a message to why the photographer, Jillian Audrey, has seen potential for a photograph in this situation.
Comparing this photograph to others I have seen by the photographer, I can see how she thinks about how each object in different in its own way but keeping the theme the same. From images such as (seen below) 'The Key Collection' or 'Deck the Doors', Jillian Audrey thinks about how objects with the same name can be distinct from each other even without looking too closely at the photograph. By doing this she can keep the name and it has its meaning over the entire image instead of just one object with a plain background. This give the photograph a bigger name for itself and portrait to the audience.
This work of Jillian Audrey has inspire me to take things which are similar but all have the same intention but with a different meaning. To complete my own photo shoot I will think about colour but use objects which are linked to each other by name but look different with diverse intentions.